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MUSIC CLUB LA GUARDIA NEW BLACK

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Walter Ernesto Celina
waltercelina1@hotmail.com - 02.08.2010

Boris Puga, a tango systematic and consistent browser Gardel's work is a credible witness a beautiful story: the Club New Guard.
For the presentation of a CD label Ayu, with the collaboration of the Municipality of Montevideo, which are remembered four musical groups, the researcher summarized the trajectory of the body remembered. So
preliminary, note that the instrumental performances under to groups of Caesar Zagnoli (trio), Manolo Guardia (quintet), Luis Pasquet (quartet) and Toto D'Amario (quartet).
in silent tribute to the important work of Boris Puga, book tickets and concepts of his report. They are part of a chapter that makes the music shine a tango that made Uruguay a hymn captivating.

"A May 8, 1954," recalls - is based in Montevideo New Guard Club, legendary group that defined themselves as "merely cultural institution devoted to the study and dissemination of good tango." It was designed by Horacio Ferrer, Jorge Rodolfo Rodríguez Seijo and Lourenco, along with a young and enthusiastic host of journalists. He adds: For twenty years he developed a fruitful work exposure and assessment of authentic tango of all time. First, met at the 4 th floor of the newspaper "El País", then the fonoplatea CX 44 Radio Solis and finally, in his legendary home of Soriano 1584 (a door painted in orange and one black). "

Account

Puga, among various activities, the Club decided to own record label, which recorded their versions of local clusters.
Distinguished composers dedicated works to the institution negri-orange doors. "A New Guard," Anibal Troilo ; "brown and blue," Astor Piazzolla ; "Yunquitango" Hector Stamponi ; "Muchachada of law," Julio De Caro; "Deep" Juan M. Rodriguez, "At the suggestion of the Club", Luis Di Matteo; "Tango", Oldim Cáceres; "All of the boys," Mario Colucci.

An impressive list of personalities tango were received with open arms at the institution. Without exhausting the list, Boris Puga quoted: Julio De Caro, Anibal Troilo, Osvaldo Pugliese, Horacio Salgán, Astor Piazzolla, Osvaldo and Emilio Fresedo, Jose Marquez, Lucio Demare, Carlos García, Máximo Mori, Edmundo Rivero, Roberto Goyeneche, Alberto Marino, Raul Beron, Elvino Vardaro, Hector Stamponi , Leopoldo Federico, Ernesto Baffa, Enrique Mario Francini, José Bragato, John Vasallo, Atilio Stampone, Florindo Sassone, Emilio Brameri, Alfredo Franco, Ismael Spiltalnik, Horacio Malvicino, Juan M. (Toto) Rodriguez, Armando Blasco, Alberto Suárez Villanueva, Joseph Ranieri, Virginia Luque, Angel Diaz, Roberto Perez Prechi, Juan Carlos Lamadrid, July Huasi, Edward Adrian Hector Alvarado, Rodolfo Schiamarella. The national average
adds to Zagnoli, Cáceres, Puglia, Pedroza, D'Amario, Cuenca, Di Matteo, Guard, Pasquet, Carlevaro, Colucci, Martinez, Lapuente, Lamarque Pons, Peppe, Casco, Silveira, Oberlin, Rivers, Fleisher, Nelson, Leon, Maira, Mastra, Silva, Avlis, Lights, Yanelli.

Many of the above, recalls Puga, participated in concerts sponsored by the Club in various public rooms of Montevideo. The CD
Ayuí - IMM , flawlessly, recorded versions of excellent anthologies Uruguayan musicians.

Trio César Zagnoli, a teacher at the piano and his own arrangements, integrates with Raul Jaurena (bandoneon) and Eduardo Trinchitella (bass). Make: Chronicle of tango, Buenos Aires Summer, butterfly, Nochero am and Orlando Goñi.
Guard Quintet New , Manuel (Manolo) Guard, (drums), Ariel Martínez (bandoneon), Sergio Furas (violin), Edunio Gelpi (guitar) and Roberto Capobianco (bass). Topics: monkey, South, Prepare, Tango of the East, Spell and Debussy.
Quartet Luis Pasquet with Pasquet (drums), Juan Carlos Figares (violin), Victor Addiego (cello) and Nestor Helmet (bass). Parts: What a night, Niebla del Riachuelo, La cachila, Loca bohemia, red, red rose and red fire.
Quartet-Toto-Edelmiro D'Amario (bandoneon and arrangements), Darwin Viscous (piano), Sergio Furas (violin) and Solano Fernández (bass). Interpretations: Earth dear Lord Tango Gallo ciego, Melancholy and Boedo.

A contribution of quality, where consideration.

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IMPACT OF SPEECH ON THE FIRST YEAR SPANISH BIOGRAPHICAL

Walter Ernesto Celina Write

A contest sponsored by the National Academy of Letters on English Contact with African languages \u200b\u200bin the Rio de la Plata has given credit to the publication of the prize won by researcher Magdalen Coll.
Montevideana, born in 1968, has a degree in linguistics from the Public University (UDELAR). It has also a doctorate in English language at the University of Southern California, Berkeley.

One of the effects of English rule was the imposition on the existing array of oral and written forms of communication. The shock of the conqueror and inhibited severely affected indigenous culture.
From a prevalent position could not, however, to avoid the impact of exercise on the Castilian language Lusitanian and the various forms of black speech, imported under the regime of slavery.
effects on their interactions led to the National Academy of Arts to promote inquiry in an almost unknown chapter, referred to the fouling of the speech of the black nations of the River Plate English.

enters its study, the author does justice to the respective institute of the Faculty of Humanities and Sciences (UDELAR), which scholars -opened 10 years ago, a chapter virgin, only paid for parts unearthed by historians. Almost
as a presentation of the proposed order to study on its first page, Magdalena Coll making an appointment of Daniel Gaston Schávelzon (1958, architect, archaeologist and anthropologist Argentina) who said: "Why is nothing left of that population Black and material culture, evaporated as a mysterious and inexplicable sorcery? And almost no one asks is why our language "today in the XXI century" is full of African terms, providing a long list regard. Volume

, almost verbatim, some of their references: The woman is a mining (African ethnic group), the urban popular music is tango (tango is danced, in the Congo), whose shoes are still to some tamango , our Domestic service is the maid (African ethnic group); eat pumpkin puree (Mansilla and said it was food for the slaves), the cow's stomach is the tripe (Kumbundu African ethnic group); eat watermelon (brought slaves from Africa to the seventeenth century and offal (was given to dogs and pursued the slaves) to Children are sung lullabies in the cradle, the quilombo is a word that points throughout Latin settlements of Maroons (escaped to the mountains afros) and, hence, their association with noise and loss of social ties.

The jury selector work highlights the work of Coll is a careful relay and interpretation of sources and literature and an analysis of linguistic forms. He notes that the road taken more precise search efforts, systematization and interpretation.
is recalled in the preface by a member of the court that the speeches of our Indians no longer had a presence in the early decades nineteenth century social groups. speakers remained only isolated "also obliged not to use their language to achieve better communication with the resident native" prompting rapid dilution and disappear. Introduction
In chapter one the researcher adds location Slavery Eastern society, with demographic, ethno-linguistic and legal. He is another very important The languages \u200b\u200bof Africans and their descendants in the Río de la Plata . We continue sources, anthology of texts, linguistic analysis of selected texts and as annexes of importance.

The title speech of African slaves and their descendants in Montevideo in the eighteenth and nineteenth centuries: representation and reality "is a plausible effort National Academy of Letters, accompanied by the label Banda Oriental .

The cover reproduces the Oil Black, Alfredo de Simone. The careful composition graphical sum Tradinco 160 pages .-

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