Tuesday, June 1, 2010

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PRESSES PRESSES TANGUERA

a dancer TO "THE MOROCHA"
Note 2

Walter Ernesto Celina Write

waltercelina1@hotmail.com - 24.05.2010

The brunette is a tango emblematic piece of the Old Guard . Its author is the Uruguayan Enrique musical Sabol. The letter corresponds to Buenos Aires Angel Villoldo. Data
1905, preceded in 1903 by just The porteñito the same Villoldo (although it is conjectured that the lyrics could have been written by his popularizer Alfredo Eusebio Gobbi). Early
, Paris took her across the Atlantic.
Judging from one of his verses, say now something about this brunette "look hot."

Around birth, the wise Joseph Gobello taught in their biographies:

The History of brunette has been told many times, with different details that do not compromise the overall accuracy. The thing was Christmas of 1905, the Bar Ronchetti (Reconquista and Lavalle), halt the rich kids, where he was familiar with the beautiful figure of the popular singer Lola Candales Uruguay.
would have been the lady who opened The brunette after Ángel Villoldo cupleteros put verses (though inspired by a poem by Orosmán Moratorium) to the tune of Sabol. Then, Flora Rodríguez de Gobbi included the piece in its repertoire and, like anything made another popular singer of that time, Lola Menbrives, which would become one of the most important actresses of the English language.

About our fellow Sabol, writes in a passage Gobello: made a run a little different from other artists of the tango. In the meantime, was a dancer and dance teacher, to academia itself, so that when the tango dominated Paris, 1910, the young pianist was among the first teachers who opened academy ... (Women and men who did the tango. Libertador libraries. Buenos Aires 2002).

Pintín Castellanos composer, in work cited in previous note says that the tango was the real Henry Saborido seed our dance in Europe and because he an expert dancer cuts and broken. He adds that, while, unmasked many "teachers" that eventually resulted in the Volga River Plate, of Hudson, Venice, or the Seine.

The upper classes wanted, too, learn choreographic skills Uruguayan musician and dancer. Castellanos
he notes that, in more than one occasion, the author of The brunette had the pleasure and the honor of dancing the tango to sovereigns. inseparable part of the story that Carlos Gardel and other beloved folk artists repeat, no fences or boundaries.
With strength, a century later, there are women like of the song, sing with sweet emotion the pampas, the beloved homeland and the faithful love.
For hours of her best delight, they receive the embrace of Henry Saborido danceable.



**

Does Steel Seal Really Work On Head Gaskets

TANGUERA

IN PARIS, A CENTURY! Note 1

Walter Ernesto Celina Write
waltercelina1@hotmail.com - 22.05.2010

In a meeting with the Master José Gobello illustrates the Araca tango, Paris! , the Uruguayan Carlos César Lenzi and Ramon Loro Collazo, highlighted the anger that by 1912, aroused our music in the City of Light . Column Tangoville
, published in L'Ilustration (Paris 16/08/1913), states: was installed as the owner of all the good dance halls. Add then: has conquered our language, which immediately opened the treasures of his grammar. "Voulez-vous tanger? (Shall We Dance?; Dance?, "Tango?, Will you dance tango?, Translation WEC), were questioned in the most natural in the balls ... (Todo Tango. P. 44. Ed. 2009. Buenos Aires).

Pintín Castellanos Darling, with whom I had the honor of sharing dialogues-friendly gatherings, author of the milonga The stab , immortalized by director Juan D `Arienzo orchestra, he recalled that moment in history of tango. In his evocative book
between cuts and broken , the commentary Madness Tango in Paris, says places, fashion, expressions and gait to many Parisians, clearly showed the influence of tango .
In 1914 an Argentine journalist, who from the French capital returns home, realizes the impact of tango. This is an excerpt of the story provided by Pintín:
We had been in the Avenida de las Acacias, whose sidewalks were busy, when my companion drew my attention to a young woman, beautiful with a dress wrapped around his legs chiripá as meager. After observing a moment, my friend and I watched in amazement: No doubt! That handsome boy imitated the way, half on tiptoe, with the shrug and its enpaque and his walk, the characteristic modes of our populace orillera .

overhead would arise at this moment the dresses tangó , the bars tangó , the tangó restaurants. Madness!, exclaimed the pianist Montevideo. (P. 64 ff. Ed. 1948. MVD)

As the sweetest knife, intoxicating tango French sensitivity and disseminated in Europe the spell of music, dance and song the River Plate. **