Tuesday, October 20, 2009

Sale Of Human Organs Cons

TRAILS TANGO AND DRUM Rioplatense A TREASURE

Walter Ernesto Celina Write

UNESCO (United Nations Educational, Scientific and Cultural Organization) recently held in Abu Dhabi (UAE) a meeting of the intergovernmental committee hearing the so-called rating Intangible Heritage of Humanity .
Tango, at the request of the municipalities of Buenos Aires and Montevideo, and Candomble, an initiative of the Uruguayan, were included in the lists that characterize these forms of musical expression as protected property.
The vast cycle of evolution of the first, the tremendous wealth that holds as orchestrated music, accompanied by a original dance, lively and sensual and unique singing of expression, synthesized with harmony and beauty, deserve the distinction. Grown
tango from the suburbs and tenements, with the mark of the troubles of life, often brothel, and the nostalgia of immigration, seeking better future in this land, amalgamate knew intimate delights and pains, family, social , joys and memories, in a role-playing game unrepeatable and unparalleled in the world.
walked down dusty lanes. Transited contempt acceptance, becoming its apotheosis in music of all.
On another level, the reservoir was blackness nations suffering tormented by the worship of slaves. Beyond the walls of old Montevideo, Africans and their descendants sang and danced for his tears, in a ceremony that began to open to the public in the carnival festivities.
The black ritual, with typical figures, shows a sustained and voluptuous dance, assisted by the rhythm of the sliced \u200b\u200b( boy, piano and ringing ). Color, sound, motion, shock and spread a kind of telluric force, leads to a rapturous exaltation of the mind. Since these sounds
Montevideo won cities in the country, in addition to group events in Buenos Aires. River Plate
On the sidewalks, Candombe Tango and proudly display their own identities, unique.
researcher, poet, lyricist and Argentina tango, very dear friend, Ms. Martina Iñiguez, I sent the letter that belongs to tango: A heart
Its spread is conducive to the holding of a relevant event, that unites our people and defenders of our cultural assets:

ONE HEART
Tango
Part 1
Gentlemen, I am the tango, nostalgic and malevo,
I drink a guilty feeling heart.
suburb with sap and apronte orilleros
del Plata my filleting cuts to Japan.
I am of two cities, two of tango in his chest.
One is Montevideo, bay and jetty,
and anchored on the other side, if I give myself airs,
stretch in Buenos Aires my skin bandoneon

Part 2
Gentlemen, I am the tango, brothel, convent and mud ... Flowers
my poetry mysteries in his voice.
The Southern Cross and the river guide me, as a loop,
sister
two pieces of the same heart.

Part 1 bis
Maroñas circulate my arteries and Palermo,
Pocitos and La Boca "Pigalle" and "Bataclan.
Pintín, Piazzolla, Troilo, Canaro, Filiberto,
are part of a concert timeless, ageless.
trembled "Mi noche triste" next to "La Cumparsita"
Fame gave me an appointment and I went
point
when a "Thrush" canyengue accelerated heartbeat and gave
check into oblivion getting to sing.
A Part 2 and end
.
Sing accompanied by Silvana Grégori Greco Quique trio

ººººººººººººººººº Argia Music
Pallares (Uruguay)

Year 1950, the orchestra of Hugo Pelossi acting in the Democratic Centre with its members Hugo Pelosi (piano), Francisco Dubini (piano accordion), Yamandú Varela (sax), Angel Dominguez (bandoneon), Jelpo Blas (bass ) and Argia Pallares (drums). Taken

Page: http://ecosregionales.com.uy/?edicion=1168¬icia=3886

Martina Iñiguez and Silvana Grégori

waltercelina1@hotmail.com

12.10 .2009

Thursday, October 15, 2009

Wedding In Memory Of Program Wording

bandoneon and Racciatti

Write Walter Ernesto Celina

was in the suburbs, the maturing of poverty and urban tenements in immigration, the pain throbbed like to unbalance the hope that some small clusters born sound. With the value of a survival instinct, softened the hard life then. They were barely fugacísimos passages: a dance, some verses sung or beat.
With the slight scent of honeysuckle, left holding the souls of its protagonists. And like all the creations that come from popular roots, burst into their modest beginnings with the group celebrations.
Tango and Candombe cut their profiles, following their respective historical transits social acceptance and apotheosis.
And, at the River Plate in the case of the tango, especially in Montevideo, in relation to candombe, could be considered cultural property constituting a regional identity, would reserve the right to acquire dimensions of transcendence. After
develop and grow, the two transposed forms the protected ports. Own and others crossed borders. Translate superlative arts assessment.
UNESCO (United Nations Educational, Scientific and Cultural Organization) enrolled in both music expressions listings Intangible Heritage of Humanity. In
1972 the agency had defined the concept of cultural heritage , which was adopted in the Convention area, in 1975. He followed the development
coined by the ancient Roman law. Patrimonium is what is passed from father to son . The concept was transferred to monuments and natural landscapes, holders of outstanding universal values, reaching historical approaches, artistic and scientific. Since 1990 UNESCO
worked the idea of \u200b\u200bsafeguarding the tangible assets not , oral and intangible. A new convention in 2003, reached a precise statement and formed protective measures.
Intangible Heritage includes "practices, representations, expressions, knowledge and skills as well as the instruments, objects and artifacts, cultural spaces associated therewith, that communities, groups and, in some cases, individuals recognize as part of its cultural legacy. "
After requests from the municipalities of Buenos Aires and Montevideo, the tango came in the list of protected intangible assets, as well as Candomble, whose parent does not exclude some nuance Uruguay Buenos Aires. In exchange, the statement implies the preservation of the attributes of the goods safeguarded by the national authorities.
The backing that the Intergovernmental Committee, meeting in Abu Dhabi (UAE), has just given to tango and candombe placed on the podium of the lasting tributes to singers, musicians, choreographers, dancers, composers, po
etas and custodians of these living treasures of our culture.

musical splendor in the chest. Flow the vintage sounds of the drums of the black and fabrics embody Pedro Figari. From the embers of the time, they sang the songs native to the independence and brave gauchos. And those that were assembled in clusters, leading to a day in the verses on a stamped Villoldo Saborido music, to inaugurate The brunette the most amazing course. Carlos Gardel
condenses, consolidates and leaves the door open to a boundless future. What bay geranium, a "which will" -watcher by De Caro, Troilo, Pugliese and Piazzolla, is in bloom. They sound
auction. Quiver of guitars and bandoneon.
12.10.2009