Walter Ernesto Celina Write
UNESCO (United Nations Educational, Scientific and Cultural Organization) recently held in Abu Dhabi (UAE) a meeting of the intergovernmental committee hearing the so-called rating Intangible Heritage of Humanity .
Tango, at the request of the municipalities of Buenos Aires and Montevideo, and Candomble, an initiative of the Uruguayan, were included in the lists that characterize these forms of musical expression as protected property.
The vast cycle of evolution of the first, the tremendous wealth that holds as orchestrated music, accompanied by a original dance, lively and sensual and unique singing of expression, synthesized with harmony and beauty, deserve the distinction. Grown
tango from the suburbs and tenements, with the mark of the troubles of life, often brothel, and the nostalgia of immigration, seeking better future in this land, amalgamate knew intimate delights and pains, family, social , joys and memories, in a role-playing game unrepeatable and unparalleled in the world.
walked down dusty lanes. Transited contempt acceptance, becoming its apotheosis in music of all.
The vast cycle of evolution of the first, the tremendous wealth that holds as orchestrated music, accompanied by a original dance, lively and sensual and unique singing of expression, synthesized with harmony and beauty, deserve the distinction. Grown
tango from the suburbs and tenements, with the mark of the troubles of life, often brothel, and the nostalgia of immigration, seeking better future in this land, amalgamate knew intimate delights and pains, family, social , joys and memories, in a role-playing game unrepeatable and unparalleled in the world.
walked down dusty lanes. Transited contempt acceptance, becoming its apotheosis in music of all.
On another level, the reservoir was blackness nations suffering tormented by the worship of slaves. Beyond the walls of old Montevideo, Africans and their descendants sang and danced for his tears, in a ceremony that began to open to the public in the carnival festivities.
The black ritual, with typical figures, shows a sustained and voluptuous dance, assisted by the rhythm of the sliced \u200b\u200b( boy, piano and ringing ). Color, sound, motion, shock and spread a kind of telluric force, leads to a rapturous exaltation of the mind. Since these sounds
Montevideo won cities in the country, in addition to group events in Buenos Aires. River Plate
On the sidewalks, Candombe Tango and proudly display their own identities, unique.
The black ritual, with typical figures, shows a sustained and voluptuous dance, assisted by the rhythm of the sliced \u200b\u200b( boy, piano and ringing ). Color, sound, motion, shock and spread a kind of telluric force, leads to a rapturous exaltation of the mind. Since these sounds
Montevideo won cities in the country, in addition to group events in Buenos Aires. River Plate
On the sidewalks, Candombe Tango and proudly display their own identities, unique.
researcher, poet, lyricist and Argentina tango, very dear friend, Ms. Martina Iñiguez, I sent the letter that belongs to tango: A heart
Its spread is conducive to the holding of a relevant event, that unites our people and defenders of our cultural assets:
Its spread is conducive to the holding of a relevant event, that unites our people and defenders of our cultural assets:
ONE HEART
Tango
Part 1
Gentlemen, I am the tango, nostalgic and malevo,
I drink a guilty feeling heart.
suburb with sap and apronte orilleros
del Plata my filleting cuts to Japan.
I am of two cities, two of tango in his chest.
One is Montevideo, bay and jetty,
and anchored on the other side, if I give myself airs,
stretch in Buenos Aires my skin bandoneon
Part 2
Gentlemen, I am the tango, brothel, convent and mud ... Flowers
my poetry mysteries in his voice.
The Southern Cross and the river guide me, as a loop,
sister two pieces of the same heart.
Part 1 bis
Maroñas circulate my arteries and Palermo,
Pocitos and La Boca "Pigalle" and "Bataclan.
Pintín, Piazzolla, Troilo, Canaro, Filiberto,
are part of a concert timeless, ageless.
trembled "Mi noche triste" next to "La Cumparsita"
Fame gave me an appointment and I went
point
point
when a "Thrush" canyengue accelerated heartbeat and gave
check into oblivion getting to sing.
A Part 2 and end
.
Sing accompanied by Silvana Grégori Greco Quique trio
ººººººººººººººººº Argia Music
Pallares (Uruguay)
Year 1950, the orchestra of Hugo Pelossi acting in the Democratic Centre with its members Hugo Pelosi (piano), Francisco Dubini (piano accordion), Yamandú Varela (sax), Angel Dominguez (bandoneon), Jelpo Blas (bass ) and Argia Pallares (drums). Taken
Page: http://ecosregionales.com.uy/?edicion=1168¬icia=3886
Martina Iñiguez and Silvana Grégori
12.10 .2009
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