In a meeting with the Master José Gobello illustrates the Araca tango, Paris! , the Uruguayan Carlos César Lenzi and Ramon Loro Collazo, highlighted the anger that by 1912, aroused our music in the City of Light . Column Tangoville
, published in L'Ilustration (Paris 16/08/1913), states: was installed as the owner of all the good dance halls. Add then: has conquered our language, which immediately opened the treasures of his grammar. "Voulez-vous tanger? (Shall We Dance?; Dance?, "Tango?, Will you dance tango?, Translation WEC), were questioned in the most natural in the balls ... (Todo Tango. P. 44. Ed. 2009. Buenos Aires).
Pintín Castellanos Darling, with whom I had the honor of sharing dialogues-friendly gatherings, author of the milonga The stab , immortalized by director Juan D `Arienzo orchestra, he recalled that moment in history of tango. In his evocative book between cuts and broken , the commentary Madness Tango in Paris, says places, fashion, expressions and gait to many Parisians, clearly showed the influence of tango .
In 1914 an Argentine journalist, who from the French capital returns home, realizes the impact of tango. This is an excerpt of the story provided by Pintín:
We had been in the Avenida de las Acacias, whose sidewalks were busy, when my companion drew my attention to a young woman, beautiful with a dress wrapped around his legs chiripá as meager. After observing a moment, my friend and I watched in amazement: No doubt! That handsome boy imitated the way, half on tiptoe, with the shrug and its enpaque and his walk, the characteristic modes of our populace orillera .
overhead would arise at this moment the dresses tangó , the bars tangó , the tangó restaurants. Madness!, exclaimed the pianist Montevideo. (P. 64 ff. Ed. 1948. MVD)
As the sweetest knife, intoxicating tango French sensitivity and disseminated in Europe the spell of music, dance and song the River Plate. **
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