TROILO IN 100 CHAPTERS
Walter Ernesto Celina Write
waltercelina1@hotmail.com - 14.12.2009
Walter Ernesto Celina Write
waltercelina1@hotmail.com - 14.12.2009
Aníbal Troilo ( Pichuco ) is one of the most enduring essence of tango.
To speak of him were two pens together: that of our fellow Horacio Arturo Ferrer and Argentine Jose Gobello teacher ( Belgo ).
See what makes the latter, with its illustrative comment: "Our academic number (1) Don Horacio Arturo Ferrer could be awarded so that moving the same confession of Ovid (Sorry, IV, 10): Quidquid tentabam dicere versus erat, "everything that was trying to write poetry.
On return from one of his triumphant performances in Europe, Ferrer now announces work on Troilus, made it big. Ferrer does nothing other than big, as the thousand verses to Picasso that has chocks.
There is in this literary tribute Troilo memories, anecdotes, assessments, admiration, criticism, history major and history minor ... But wow, everything is always trying to write poetry. As
Gardel Troilo said it was not her singing had pace, because the pace was himself, Ferrer can say that it is not that everything comes poetry, but he himself is poetry.
The hundred chapters devoted to Pichuco, plus a CD anthology and, yet, for good measure, one hundred and twenty photographs long memories, priceless, give us, of course, a full and multirostro Troilo, whom the daggers of ice that tore us right after me as the absorption of one who was thinking of his own soul, that eluded him by the fingers.
Leo Ferrer and feel its pages like a real personal almografía. Troilo hundred chapters are also a hundred chapters on Ferrer.
I quote myself. In my poem "A Misael" I say what I write myself that each page is the photo that shows me different and unchangeable. Also, immutable and other shows Ferrer, and concerns Pichuco, Picasso, Woody Allen, the last Grela or colifatos you see the moon rolling like a cheese ball on the Avenida Callao smog. BELGO. "
(1): Reference to the Academy of Lunfardo Porteña.
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