LA CANTINA
Walter Ernesto Celina Write
waltercelina1@hotmail.com - 17.12.2009
Walter Ernesto Celina Write
waltercelina1@hotmail.com - 17.12.2009
The Tango is a compendium of 250 points scored by Maestro José Gobello, a scholar in the field.
The paper presents the issues, as in other similar publications of the essayist and historian, with an indication of the authors of versification and music, indications referring to the time of its dissemination and sociological and historical notes of interest. This formidable selection
, I draw some letters, more or less disclosed, to the reader to examine its conceptual and poetic background, the wisdom of certain turns of phrase, as in the description of time, these aspects , among others, are essential for assessing a social time, cultural, psychological and even political, which comes creation. The contribution of academic
Argentina will adopt, so synthesized, some illustrative elements. I'll
version:
The paper presents the issues, as in other similar publications of the essayist and historian, with an indication of the authors of versification and music, indications referring to the time of its dissemination and sociological and historical notes of interest. This formidable selection
, I draw some letters, more or less disclosed, to the reader to examine its conceptual and poetic background, the wisdom of certain turns of phrase, as in the description of time, these aspects , among others, are essential for assessing a social time, cultural, psychological and even political, which comes creation. The contribution of academic
Argentina will adopt, so synthesized, some illustrative elements. I'll
version:
LA CANTINA
Lyric: Catullus Castillo - Music: Aníbal Troilo
Year 1954 has
Creek silver moon / and there is a boat from the sea, / With a sweet piece of heaven, / with an old handful of salt. Swallow
lost in the wind / why remote street walk, / with a glass of alcohol and fear / behind the glass clouded in a bar?
La cantina /
evokes cries if / when he plays piano, piano / accordion
his Italian /
the tavern / that is a bit of life / where you were hidden / behind the hollow of his hand, / for my hand / that calls, silent / butterfly to fly / I left it on the mouth, yes, / I left it on the mouth / the salty taste of the sea.
rigging has been asleep in the moon, / cries a sad tango his verse / and from a little wind and foam / get fatal echo of your voice ... / Tarantella Italian boat ... / The canteen has been happy, / but I feel like crying, far away, / gray suit your memory ...
Creek silver moon / and there is a boat from the sea, / With a sweet piece of heaven, / with an old handful of salt. Swallow
lost in the wind / why remote street walk, / with a glass of alcohol and fear / behind the glass clouded in a bar?
La cantina /
evokes cries if / when he plays piano, piano / accordion
his Italian /
the tavern / that is a bit of life / where you were hidden / behind the hollow of his hand, / for my hand / that calls, silent / butterfly to fly / I left it on the mouth, yes, / I left it on the mouth / the salty taste of the sea.
rigging has been asleep in the moon, / cries a sad tango his verse / and from a little wind and foam / get fatal echo of your voice ... / Tarantella Italian boat ... / The canteen has been happy, / but I feel like crying, far away, / gray suit your memory ...
Gobello Notes: The recorded simultaneously, in 1954, Alberto Marino, with orchestra, Aníbal Troilo, with the voice of Jorge Casal, and Edmundo Rivero with guitars.
Tarantella: Dance Neapolitan, lively movement in the rhythm of 6 x 8.
The neologism "Gobela" derives the capture of information captured in the book in which the researcher takes pride in its deep knowledge.
The notes, in some cases, be tinged with considerations and opinions. **
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