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Carriego AFTER

A JOURNALIST IN THE CURRENT
PALERMO Walter Ernesto Celina Write

WHAT CHANGES DO NOT DELETE

When coastal fog enveloped Carriego Evaristo's voice, pushing his footsteps of Palermo Viejo, Jorge Luis Borges recalls in the Mythical Foundation of Buenos Aires , which remains in memory:

They set a few ramshackle huts on the coast,
slept uneasily. They say that in the Brook, but they are humbugs
forged in La Boca.
was a whole block but in the middle of the field, auroras
and exposed to rain and storm surges.
Apples partner who persists in my neighborhood:
Guatemala, Serrano, Paraguay, Gurruchaga.

LOOKING FOR A EUROPEAN

Juan Cruz Ruiz, journalist and writer, associated with El Pais in Madrid is immersed in the stream called the new journalism , which raises demands of accuracy and verification reports to the reader, combined with the management of cleanliness in the language used and the use of new technology.
He marvels at the ability of Argentine "who always get together and meet." Go to Palermo today as a special place which are associated writers, artists and intellectuals under cafés and creative workshops.
He recalls his encounter with Edgardo Cozarinsky (writer, director, playwright, director and stage actor, born in Argentina in 1939) and Juan Martini (novelist Rosario, exiled in Spain, born 1944), and remembering: "... were there, of Palermo, as if time had stopped, that is, as if they were in Buenos Aires in an evening of early autumn, when the city has a stillness that one can only recall going to a library or a bookstore search, for example, this book by Julio Cortazar, "Los Premios" in which the writer "Continuity of Parks" opened his long and fruitful obsession with travel. " and notes: " Los Premios " is, for many readers, who are neither in Buenos Aires, or Argentina, or Palermo, Buenos Aires's novel, which has the brilliant start, "The Marquise went out at 5, Carlos Lopez thought. then adds: " And then there is an excursion that takes you from Back side to this side, to the obsessions of writing ending Cortázar "The Motornauts of cosmoway" and moves on a boat all the fantasy as he could, the great Buenos Aires who returned in December 1983 to say goodbye to the city where he began to write. "

Cross speaks almost like writing, playing the metaphor. And like many Uruguayans, praises the book spaces, new cafes and the smooth current architecture of the River Plate area. Otherwise, he could not dream Carriego. Displaced the upper classes are descendants of immigrants. Disappeared "the flat entering the pound" ...

REFLECTIONS FROM THE EXPERIENCE

opinion also.
on traditional journalism recalled that "he enjoyed" , subject consider a "disaster." Plus, there are "disaster now" ...
Recommends: "We must be more self-critical" ask "why do people not read us both."
about working before, says "... At one time I just took notes and then picked up what I remembered. Until I had a problem ... "
Remember the best part of his interview. It was with the Portuguese writer Saramago: "We were alone, with computer (PC) in the middle. As answer, transcribed. And so it was published. "
When asked if it is connected all the time, he admits: " What a subject! Yes .. and I'm sorry ". then sets: " We play now things differently. Do not think it's the best. "
argues that Franco's dictatorship left education" a terrible brand. "Asked if
Spain has yet to be further review, answered bluntly: "I think so. The movement of the right to say that everything is counted, is a fallacy."
A Palermo that stands in time, which proclaims its loyalty to culture.

(Sources: Self and reporting of Fernando Garcia. "The Country Cultural / 1008)

waltercelina1@hotmail.com
(03/17/2009)